Der Kommissar’s in Town: The Soviet Politruk in 1/72

I. Kombat

II. The Red Army Politruk in WWII

III. The Kombat Figure in 1/72

A. ESCI 203 Russian Soldiers (1982)
B. Revell 02510 Soviet Infantry (1994)
C. Zvezda 8077 Soviet Infantry Platoon (2012)
D. Other Box Covers
E. The Figures

IV. The NKVD Commissars in 1/72

A. The Commissar from A to Z (Atlantic to Zvezda)
B. Other Soviet Officers
C. CP & TQD White Metal Officers
D. Painting the Figures

V. The Political Officer in Russian Cinema

VI. Lagniappe: Der Kommissar’s in Town by After the Fire


I. Kombat

Possibly the most iconic Soviet image of World War II is this photo of a political officer exhorting his comrades to battle on the Eastern Front. Entitled Kombat (a portmanteau of komandir and batal’on, literally “battalion commander”), war correspondent Max Alpert’s timeless photo depicts Alexey Yeremenko, of the Soviet 220th Infantry Regiment, who was not a battalion commander but a politruk (political officer), just minutes before his death during fighting in Voroshilovgrad Province, Ukraine, on July 12, 1942. 

Alpert’s image holds a special place in the Russian imagination and has been immortalized in monuments in the former Soviet Union.The bronze statue at left is in Stepove; the stone monument at right is in Zaporizhia, both in southern Ukraine, where Yeremenko, who was Ukrainian, was killed. 

Yeremenko’s image has also appeared on postage stamps and commemorative coins.

As recently as 2017, a commemoration of the 75th anniversary of Alpert’s photo took place in Sloviansk, Ukraine.

Our hobby — ideally a miniaturized reflection of actual historical events — has not been immune from the photo’s allure, with three manufacturers offering a 1/72 scale plastic model of Yeremenko. However, before delving into the 1/72 world, a short description of the politruk (a Russian portmanteau of  politicheskiy and rukovoditel, literally “political leader”) is in order.

II. The Red Army Politruk in WWII

In broad terms, the politruk, commonly referred to as “political officer” or “political commissar,” was a military official appointed specifically to ensure civilian control of the military — at least in theory. In practice, the politruk ensured the Soviet military remained under the Bolshevik Party’s control. To become a political officer, an individual must have been registered as a communist and attended special political training. Units from company to division had two officers — a military officer in charge of military decisions, and a political officer of coequal rank and authority who ensured those decisions were carried out in accordance with Communist ideology. Although most lower-level political commissars had little or no military training, they had the authority to countermand the unit’s commander if in their estimation an order undermined party dogma.

The politruk position came and went, abolished and restored as circumstances dictated, and its role morphed as necessary, with slightly different roles at different times during the war. At the outset of the conflict, the politruk’s primary function was to ensure that soldiers did not retreat in the face of the German onslaught and had authority to shoot transgressors on sight. Following the Red Army’s heavy losses in 1941 and 1942, the dual-command system was deemed unworkable. Politruks were removed from direct command and charged with improving morale, ensuring regulations were followed, indoctrinating troops, and spreading communist propaganda. Thus, distilled to its essence, the politruk’s function was to interpret everything he saw through a political lens and ensure all actions were in accordance with party ideology. Many a Soviet soldier lost his life because a politruk informed on him. The cartoon at left by Knottipine, from the instabusters website, aptly captures what most Red Army soldiers thought of the omnipresent politruk [instabusters website].

The Germans so feared political commissars that on June 6, 1941, just prior to the invasion of the Soviet Union, the German High Command issued the “Guidelines for the Treatment of Political Commissars,” commonly known as Kommissarbefehl (Commissar Order), directing the German army to summarily execute any captured political commissars as enforcers of “Judeo-Bolshevism.” Predictably, the Commissar Order resulted in an unwillingness to surrender by Soviet forces and the upshot was increased Soviet resistance to the Werhmacht. Nonetheless, thousands of commissars are believed to have been executed before Hitler cancelled the Commissar Order exactly a year after it was issued.

III. The Kombat Figure in 1/72

Three plastic soldier manufacturers have tried their hand at sculpting Yeremenko’s distinctive pose — ESCI, Revell, and Zvezda — and all three feature the pose on their Soviet soldiers box covers, as can be seen below. There’s little sense in providing thoughts on these three sets as the terrific Plastic Soldier Review (PSR) website has done a thorough review of each. Click on each title to access the PSR review.

A. ESCI 203 Russian Soldiers (1982)

B. Revell 02510 Soviet Infantry (1994)

C. Zvezda 8077 Soviet Infantry Platoon (2012)

D. Other Box Covers

ESCI re-released their 203 Russian Soldiers set in a diorama pack entitled Berlin: Die Götterdämmerung (“Berlin: Twilight of the Gods”). A-Toys 1103 also released the ESCI set in a combination pack with the ESCI 201 German Soldiers. Finally, Revell re-released their 02510 Soviet Infantry with new box art. Note that all three boxes have a depiction of Yeremenko’s image somewhere on the cover. 

E. The Figures

As is readily apparent from the photo below, the three sculpts vary significantly, with the ESCI figure being the smallest and the Revell figure being the tallest. I found that under high magnification all three sculpts hold up fairly well, with the Zvezda figure having the greatest detail and the Revell figure the least — the Revell figure’s facial features are particularly poorly defined. To my eye, the ESCI figure has the best anatomical proportions as I find the head on the Zvezda a smidgen oversized. On the whole, however, the Zvezda figure most closely resembles Yeremenko’s pose, though the sculptor gave him a closed left hand, probably to make the sculpting easier. 

IV. The NKVD Commissars in 1/72

Yeremenko’s uniform notwithstanding, the typical Red Army commissar belonged to the NKVD (People’s Commissariat for Internal Affairs) and was characterized by a different and distinctive uniform: olive green gymnastiorka shirt-tunic (same as the three figures above), blue sharovari trousers, high black leather boots, Sam Browne brown leather belt with its distinctive strap passing diagonally over the right shoulder, holster for the Tokarev TT-33 pistol, brown webbing, and a sky blue peaked cap with a red band and a black visor. Like all Red Army headgear, the cap bore on the forehead a red star on a gold background. Some officers also carried a brown dispatch or map case and, in the field, a brown case for their black binoculars. However, a surefire way to recognize a political officer was the distinctive red worsted star with gold hammer and sickle on the sleeves, about two inches in diameter and three inches from the cuff.

This photo of a painted Evolution Miniatures EM-35122 NKVD 1/35 figure portrays the typical uniform of an NKVD officer.

A. The Commissar from A to Z (Atlantic to Zvezda)

The photo below shows Soviet officers from the various plastic soldier manufacturers painted in the typical commissar uniform. While there’s loss of detail with a photograph of the whole lot, comparison of relative sizes is possible. Click the photo to enlarge.

To provide higher resolution and better appreciate the figures, I also photographed five at a time. Below is the first tranche.

1. Atlantic 84 Red Army
This is possibly the scrawniest officer in the history of 1/72 scale plastic soldier models. PSR called this set no more than a poorly sculpted “toy.” However, I find the sculpting, at least on this particular figure, considerably better than the miserly 3 out of 10 for sculpting the set received on PSR and, in fact, the facial features are fairly well defined.

2. Hat 8263 Russian Tank Riders
At first blush, these Hat soldiers are, as PSR put it, “not particularly appealing figures.”  Surprisingly, however, though admittedly a bit clunky, they paint fairly well. PSR called this “[n]ot a great sculpt but a very worthwhile set.” I found the detail to be not too bad and, while the PPSh-41 is not particularly well detailed, it is easily recognizable. However, the Sam Browne belt on this officer goes over the left shoulder, which is incorrect. This is one of four figures wearing the traditional gymnastiorka shirt-tunic (Plastic Soldier, Revell, and Zvezda are the other three). The figures in this set come without bases as they are intended to sit on a tank. I added the base to ensure consistency in comparing height.

3. Italeri 6131 Anti Tank Teams
The first thing that strikes you about this officer is his huge size. The head and hands are particularly large when compared to the other figures. While PSR rated these figures as being of average size, I’m fairly certain the entire set is well overscaled. Still, I don’t mind using one soldier from the set as there were, in fact, men in WWII who were considerably larger than the average. Known as the “Gargoyle,” Japanese Vice-Admiral Jisaburō Ozawa, for example, was 6’7”. The other notable feature about this officer is that he looks to be wearing the fur lined polaschubuk sheepskin coat.

4. Pegasus 7269 Russian Infantry Winter Dress 1
This was Pegasus’ first attempt at this advancing officer pose. This figure and its twin in 7272 (No. 5 below) are the only ones wearing the telogreika quilted jacket and trousers. While it is not a bad sculpt, the photo hides the excess plastic between the PPS-43 submachine gun and the body, where the area is blind to the mold. Although an officer, he does not carry a pistol as there is no holster on the figure. Finally, his submachine gun has no shoulder sling to carry it. It bears noting that PSR gave this set a perfect 10 for sculpting.

5. Pegasus 7272 Russian Infantry Winter Dress 2
Initially indistinguishable from its twin in 7269 (No. 4 above), this was Pegasus’ second attempt at the pose. By molding the figure in two parts — the right arm and submachine gun are a separate piece — Pegasus solved the excess plastic problem and produced a significantly improved figure. Note that making this a two-part figure also allowed Pegasus to add a shoulder sling to the submachine gun. This being an officer, Pegasus correctly added a gun holster and, upon closer inspection, shoulder boards. 

Below is the second tranche. (Yes, alphabetically the Plastic Soldier figure should have come before Preiser as in the photo above showing all ten figures. Sorry, senior moment. 😳 )

6. Preiser 72522 Soviet Infantry Riflemen and Partisans
Despite an 8 score for sculpting from PSR, to my mind this Preiser hard plastic figure is the best sculpt in the lot. Proportions are perfect and facial features and hands are well defined (even at this scale you can count all five fingers on his left hand). However, I do have my doubts about the peaked cap, which looks suspiciously like a German peaked cap. Soviet peaked caps tended to be completely round, like the other nine in the group. Akin to the second Pegasus figure (No. 5 above), this is a two-part sculpt comprising the body and two options for the left arm. Like the Hat figures, the soldiers in this set have no bases. I added the base to ensure consistency in comparing height. 

7. Plastic Soldier 20001 Russian Infantry in Summer Uniform
Generally speaking, I’m not partial to Plastic Soldier sculpting as the figures tend to be rather short and chunky. Because Plastic Soldier figures are intended for wargaming, which requires constant handling, these hard plastic figures must be robust, like their 28mm metal counterparts. This particular figure, however, is oddly pleasing and passes for a rather rotund, well-fed commissar. Like the Preiser and second Pagasus figures, this officer is made up of two parts, with the left arm being a separate piece. PSR noted that the “extra parts make some of these poses particularly deep and natural,” and gave the set a 10 for sculpting. My only quibble with this officer is that he’s carrying his right hand gun holster cross draw, i.e., on his left hip as Hollywood tells us was done in the Wild West, but something WWII officers would be unlikely to do. 

8. Revell 02510 Soviet Infantry
As PSR points out, this Revell set was generally overscaled, with most figures 26mm tall, well above the average 25mm for 1/72 scale soldiers. However, this particular chap is about the right size, though, to my eye, he has an odd feminine shape with pronounced hips and a very small head compared to the rest of the figures — particularly the Plastic Soldier figure, whose head is twice as large. This officer is the prototypical commissar who does not engage in combat, as he is lacking a pistol holster or any webbing at all.

9. Ultima Ratio UR003 Soviet and Polish Infantry
In addition to the typical accoutrements of an officer — peaked cap, pistol holster, and binoculars — this commissar also carries a map and is armed with a PPS-43 submachine gun. This is an attractive figure, though his ears are so large — just take a gander from the back — that he would be completely at home in the Caesar 105 Goblins set. There are four officer poses in this set — three Poles, as indicated by their traditional Polish four-pointed rogatywka peaked cap, and this Soviet officer.

10. Zvezda 6179 Soviet Regular Infantry
To my mind, this is probably the second best figure in the group and is basically a peaked cap version of the Kombat pose that spawned this article. He wears a dispatch case over the left hip and a pistol holster over the right. The detail is crisp as is typical of Zvezda figures. PSR described this set as “perfectly well done and very natural” and “the sculpting . . . of the usual high Zvezda standard.” 

B. Other Soviet Officers

Below are a few other figures that can be used as Soviet officers, purely for the sake of completeness.

1. Zvezda 6161 Soviet Cavalry

2. Zvezda 6144 Soviet Frontier Guards
Click on the photo to enlarge.

As was pointed out by a commenter, these four are not all officers. The peaked cap was an element of the NKVD uniform — of which the Frontier Guards was a part — for all ranks. However, any of these figures can be used as officers.

To my knowledge, these are all the Soviet officers — or those with a peaked cap that can be used as officers — available in plastic in 1/72, with two exceptions: Preiser 72526 Soviet Tank Crewmen and Zvezda 6132 Soviet Headquarters, both of which include an officer, and neither of which I could get in time for this post.

C. CP & TQD White Metal Officers

After I had finished painting and photographing the plastic commissars and writing this post, I discovered that CP Models and TQD Castings have a diverse assortment of 1/72 scale Soviet sets in white metal. I ordered the sets that included officers and got them just in time to include below. Note that I only photographed the ones with officers or with a peaked cap, though some sets include several non-peaked cap figures. 

1. CP-SOV01 Red Army Infantry with Officer
2. CP-SOV04 Red Army Banner Party
3-5. TQD-RI10 Red Army Officers
6-10. TQD-RK02 NKVD Riflemen I
11. TQD-RK04 NKVD Interrogators
12. TQD-RK05 NKVD Mortar and Anti-Tank Rifle
13-15. TQD-RK06 NKVD Maxim Heavy Machine Gun

As far as I know, these are all the Soviet officers or those with peaked cap available in the CP/TQD line except for TQD-RK03 NKVD Riflemen II, which I could not find.

D. Painting the Figures

In painting these figures, I used Vallejo acrylic colors almost exclusively as listed below. However, I used Testors enamel gold on the peaked caps, buttons, and buckles as I find metallic colors look more realistic in enamel. The Soviet uniform varied somewhat in the shade of green during the war, depending on what fabric was available, so modelers have some latitude in choice of color.

The photos below show four figures undergoing the painting process: The first photo shows them unpainted out of the box; the second photo shows them primed with surface primer; and the third photo shows them fully painted. These four figures are my first serious attempt at painting using various shades of the same base color — a technique most noticeable on the trousers. While the result may not reflect it, I actually spent considerable time painting the faces using various shades of Vallejo’s flat flesh. If anyone is wondering, I fully recognize that going into battle with a bright blue peaked cap is asking for it.

For those interested, I used the following Vallejo Model Color acrylic paints, going from head to toe:

70.963 Medium Blue – top of caps;
70.957 Flat Red – band on caps;
70.861 Glossy Black – peak on caps
70.955 Flat Flesh – faces and hands;
70.921 English Uniform – tunic on Preiser and gymnastiorka on Zvezda;
70.983 Flat Earth – coats on Italeri and Ultima Ratio;
70.918 Ivory – sheepskin trim on Italeri coat;
70.963 Medium Blue – trousers;

70.950 Black – boots;
70.940 Saddle Brown – Sam Browne belts and webbing;

70.863 Gunmetal Grey – pistols and submachine gun on Ultima Ratio;
70.950 Black – binoculars;
70.912 Tan Yellow – bases;
74.601 Grey Surface Primer – all figures; and
1144    Testors Enamel Gold – buttons, buckles, and star on caps.

V. The Political Officer in Russian Cinema

Politruks are ubiquitous in contemporary Russian cinema and television and, at least for this non-Russian-speaking outsider, hint at an apparent love-hate relationship with them on the part of the Russian public. Often portrayed as petty obstructionists, a quick survey of recent Russian shows on Amazon Prime will reveal that the politruk has become a popular staple of Russian films, which are often based on older Soviet literature. An outstanding series currently on Amazon Prime, Night Swallows, about Soviet female pilots in WWII, depicts a pesky political commissar whose mission in life appears to be to make life miserable for the pilots. A similar portrayal can be seen in Stalin’s Tanks, about the legendary T-34 tank. However, in both films the politruk displays some positive traits, including falling in love with one of his victims. A much more positive characterization can be found in Spies, a lavish series about Soviet female spies in WWII.

For a downright chilling portrayal that likely hews closest to reality, the reader is directed to Life and Faith, a series based on Vasily Grossman’s 1960 book that was banned in the Soviet Union due to its brass-knuckled depiction of Stalinism and Soviet culture. The book was considered so detrimental to the Soviet state that it was not published until 1980, when a copy of the manuscript was smuggled out of the Soviet Union. Finally, the summary execution of a political officer under the aforementioned Commissar Order can be seen in the Belorussian film Fortress of War, a harrowing account of the siege of Brest Fortress in Belarus, in June 1941. Yefim Fomin, who commands the defense of the fortress, is ultimately captured and summarily executed after declaring, “I’m a commissar, a communist, and a Jew.”

The politruk was also the subject of a compelling scene in Hollywood’s 2001 Enemy at the Gates. Starring Joseph Fiennes as political officer Danilov and Bob Hoskins making a cameo appearance as Stalingrad’s chief political officer Nikita Khrushchev, the scene captures the essence of what a political officer is supposed to do. Khrushchev eventually succeeded Stalin as Premier of the Soviet Union. Tellingly, Volume I of his memoirs is entitled “Commissar.” For those interested, I’ve pasted below a clip of that scene from YouTube. Unfortunately, the clip comes with YouTube advertisements. Please close the ad when it pops up.

VI. Lagniappe: Der Kommissar’s in Town by After the Fire

For those not familiar with the reference in the title of this post, Der Kommissar was a Billboard Top 10 song recorded by After the Fire in 1982 — actually a cover of Falco’s 1981 German language song of the same title. On the surface, the song is about a reckless young woman living in the fast lane, high on cocaine. However, Der Kommissar is in reality a protest song about the state security police in the socialist Eastern Bloc countries before the fall of the Soviet Union, whose role was essentially unchanged from that of the Soviet political commissars of WWII. By the early 80’s, citizens were increasingly resentful of the secret police who watched their every move and kept surveillance files on them, though it was still uncommon for individuals to air these grievances. The song, with its Don’t turn around, Der Kommissar’s in town refrain, was groundbreaking and reflects the transformation in the social conscience that was beginning to take place. To conclude this post, I’ve pasted below the official video of the song from YouTube.

Thank you for your indulgence and I hope you enjoyed the post. If something looks amiss, please let me know. I would be delighted to correct inaccurate information so that this may be useful to other 1/72 scale collectors and wargamers. As always, comments, questions, corrections, and observations are welcome. 

The Filthy Thirteen of the 101st Airborne Division, Part 4: The Finished Figures

This is the fourth of a five-part series on the Filthy Thirteen. For a synopsis of these colorful characters, creating the figures in 1/72 scale, and selecting their weapons, please refer to the three previous posts, The Filthy Thirteen, Part 1, Part 2 and Part 3, respectively.

Although I generally paint my own figures, my skills are mediocre at best, and I was too excited about this particular set to ruin it with my efforts. I freely concede: I’m a dilettante — I dabble in everything and master nothing. Thus, I turned to a genuine hobbyist with real expertise for help. The awesome results of his skill, dedication, and patience follow.  

Before we start, let’s put things in perspective. I fully understand that most people reading this post are z 007 - Copy (2)familiar with 1/72 scale and know the height of a typical figure. However, for those casual internet browsers who happen upon this site, the average 1/72 scale figure is approximately 1 inch or 25 mm tall. Borrowing a practice from the terrific WW2 Germans in 1/72 website, the photo at left provides perspective to help us understand the significant painting challenges posed by this scale. I know hobbyists who use a one-bristle paint brush for detail work. In addition, anyone who has painted 1/72 scale figures will understand the severe eye strain and occasional headache that results from concentrating on a figure — there’s a reason 1/72 is known as braille scale. And yet, those of us who engage in this activity know the nirvana with which we’re rewarded. 🙂 Yes, I love doing it; I just stink at it.

The Painted Figures

The following pictures follow the order established in the Figure Chart of the two previous posts. Unless otherwise specified, comments always refer to the photo below the comments.

BELOW: Here are the first four figures. Note the warpaint on their mugs, bearing in mind that the width of their faces is about 2 mm. Note the patches used to reinforce the elbows and knees on the jackets and trousers, a distinct characteristic of paratrooper uniforms. The Revell BAR gunner (second from left) is wearing the BAR belt with six pockets, each for two 20-round magazines, giving him a total of 240 rounds. Note the magazine pouches on the belt of the ESCI figure with the M1A1 Thompson submachine gun (third from left).

023
From left to right: Revell, Revell, ESCI, and ESCI.

BELOW: Note the hand-painted U.S. flag patches on the right shoulder. Astute observers will immediately notice that the flag is seemingly facing in the wrong direction as the applicable U.S. Army regulation requires that the “star field face forward,” like a flag flying in the breeze as it is carried forward. In other words, the regulation requires the flag to be backwards when on the right shoulder.

However, U.S. paratroopers were allowed to use the regular U.S. flag patch, probably because they were dropped behind enemy lines and needed to be easily identified by advancing U.S. forces. (I found at least a dozen photos of WWII U.S. paratroopers wearing the regular U.S. flag patch on their right shoulders before I was convinced.) 025BELOW: Note the famed Screaming Eagle shoulder patches of the 101st Airborne Division on the left shoulder. Only the painter knows how much eye strain these patches are worth. Another U.S. Airborne characteristic is the M3 trench knife and scabbard attached to the lower leg, as can be seen in the picture above on the right leg of the two ESCI figures on the right. A peculiarity of the ESCI set is that 13 of the 14 figures in the set sport the knife in the same fashion — the prone machine gunner being the only exception. The other sets only have two or three figures carrying the trench knife.027BELOW: The ESCI figure on the far right has the 10-inch M1 Bayonet attached to the folding stock M1A1 Carbine. The M1 Bayonet became standard in 1943, replacing the earlier 16-inch bayonet. Note the “U.S.” designation on the covers of the entrenching tool and canteen on the same ESCI figure. 026BELOW: Here are the second four figures. Note that the head on the Caesar figure on the far left is disproportionately large — a melonhead if I ever saw one. Although the Revell figure (second from left) appeared to lack facial detail, paint really brought it out. Note the 10-inch bayonet attached to the M1 Garand rifle on the Caesar figure on the far right. 

7 028
From left to right: Caesar, Revell, ESCI, and Caesar.

BELOW: Note that the first three figures — the three original Pathfinders with Mohawk haircuts — have the M3 trench knife attached to the lower right leg, making them honest paratroopers. Created by three different sculptors, note the difference in the heads. This variety in heads is realistic and the welcome result of mixing figures from different companies. Note the first aid pouch on the right leg of the walking Caesar figure (far right), who also sports one of the Caesar melonheads. These first aid kits typically contained field dressing and morphine.

030BELOW: ESCI’s attention to detail is evident in the inclusion of a helmet attached to the back of its Pathfinder figure (third from left). Neither the Caesar nor the Revell bareheaded Pathfinders with Mohawk haircuts (first and second from left) thought to include a helmet.032BELOW: Note the M1936 Musette Field bag on the back of the Caesar figure on the far right. Though usually associated with paratroopers, this lightweight canvas backpack was also available to officers in the regular infantry.031BELOW: Here are the last four figures. Note the Imex figure (second from left) is tall but slim, lending greater variety to the figures. Note the yellow gloves on the Italeri figure holding the M9 Bazooka (far right), recommended to protect the hands in case of back-flash when the rocket left the muzzle.

033
From left to right: Caesar, Imex, Imex, and Italeri.

BELOW: Note that the Italeri bazooka gunner (far right) has the M3 trench knife on his lower right leg.

034

BELOW: I could not identify the bag on the left hip of the Caesar figure (far left). While it’s probably an M1936 Musette field bag, it’s missing the two straps and buckle to close the flap, as seen on the two Imex figures next to it.

036

BELOW: Of particular interest is the folded M1A1 Carbine on the back of the bazooka gunner (far right). This may be the only folding stock M1A1 Carbine that is actually folded in the various sets. On the same figure, note as well the superb rendition of the “U.S.” designation on his canteen. Note that both Imex figures in the middle have the M1936 Musette field bag. As with the ESCI sculptor who included the distinctive trench knife on virtually all his paratroopers, the Imex sculptor’s idiosyncrasy was to include the characteristic musette field bag on all but two of his 14 paratroopers.

035BELOW: Here are some photos of the TQD figure, completing the Filthy Thirteen. It bears mentioning again that TQD white metal figures are generally excellent, with realistic proportions, fine detail, and historical accuracy. 

Pathfinder (2)
TQD AA5 Pathfinder white metal figure

Comparison Chart

Finally, below is a lagniappe comparison chart that summarizes the project. It shows the original figures with helmets, the set they came from, the figures with the transplanted heads, and the finished figures, as well as the weapon each carries.Filthy Thirteen Final 2

The Upshot

I was pleasantly surprised by the results of this project, an honest and well-intentioned 1/72 scale tribute to the Filthy Thirteen, “the orneriest, meanest group of paratroopers” who ever lived. And it was loads of fun to boot. However, I do have two regrets, as discussed previously: 1) I wish I’d used an Airfix figure to represent all available U.S. paratrooper sets; and 2) I wish I’d used a figure with an M3 “grease gun” to better represent most of the small arms used by U.S. paratroopers.

I hope you enjoyed this Filthy Thirteen series of posts. If something looks amiss, please remember that I’m just an amateur enthusiast (redundancy intended) and let me know. I would be delighted — truly — to correct inaccurate information so that this may be useful for other 1/72 scale collectors and wargamers. Stay tuned next week or so for Part 5: Preboarding Diorama, a simple diorama featuring these characters. As always, comments, questions, corrections, and observations are welcome. 

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I want to thank my friend and fellow collector Joe Buccellato, of NY, whose love of craft, workmanship, and patience far exceed mine — “therapy,” he calls it. He enthusiastically painted these figures and to the extent they succeed the credit is all his. I’m fortunate he’s a Civil War collector for I doubt he’d part with my WWII figures after he paints them. More of his outstanding work will be featured in future posts.

The Filthy Thirteen of the 101st Airborne Division, Part 3: Selecting the Weapons

This is the third of a five-part series on the Filthy Thirteen. For a synopsis of these colorful characters and creating the figures in 1/72 scale, please refer to the two previous posts, The Filthy Thirteen, Part 1 and Part 2.

U.S. Army Airborne Weapons

The nature of U.S. Airborne troops in WWII was such that their weapons had to be specialized, usually to make them lighter or more portable. Because paratroopers were often dropped behind enemy lines where resupply was uncertain, they had to schlep loads of 100 lbs. or more on their backs, making lighter, more portable weapons a must.

As I mentioned in Part 2, one of my goals was for the 1/72 scale unit to reflect as many of the weapons used by U.S. paratroopers as possible. I compiled the weapons plate below from a number of illustrations contained in various Osprey books, including US Army Airborne 1940-1990, US Paratrooper 1941-1945, US Army Airborne and Paratroops; and US Army Paratrooper in the Pacific Theatre 1943-45. The Pathfinder illustration is by renowned military artist Ron Volstad. The plate summarizes the small arms — hand-held small caliber firearms, such as handguns, rifles, manual, semi-automatic, and fully automatic weapons — used by U.S. paratroopers. US Airborne Paratrooper Weapons 13

Figure and Weapons Chart

Below is a chart showing the weapons used by each of the selected figures. A discussion of each weapon follows. Where the options were limited for a particular weapon, I’ve included photos of the various alternatives.Weapons Chart

Weapons in 1/72 Scale

1. M1911A1 Colt .45 Pistol: The venerable seven-round, semi-automatic .45 caliber “Colt 45,” introduced prior to WWI, was issued to officers, non-commissioned officers, and machine gunners and was so effective that it wasn’t replaced until 1986, 75 years and several wars after its debut.

042
Left, Revell; right, Imex.

Every unit has an officer — always with binoculars and a pistol — and the various paratrooper sets offer different alternatives. However, only the Revell and Imex officers have a pistol in hand and the latter is clearly firing his in combat, leaving the Revell figure as the only choice. See photo inset at left. While it is impossible to determine at this scale what pistols the officers are really wielding, we must assume they’re the M1911A1 Colt .45 pistol, common with U.S. Airborne officers. 

 

2. M3 Submachine Gun “Grease Gun”: The .45 caliber M3 Submachine gun was designed to be a simplified, cheaper ($20) replacement for the Thompson submachine gun. Commonly known as

047
From left to right: Caesar, Imex, Italeri, and Revell.

the “grease gun” because of its visual similarity to an actual mechanic’s grease gun, it was unjustly perceived to be less reliable than a Thompson, though its lighter weight (8 lbs.) made it popular among paratroopers who had to schlep loads of 100 lbs. or more on their backs.

For the most part, I succeeded in representing all the standard weapons used by U.S. Airborne troops shown in the Weapons Plate above. However, I failed to use a figure with the M3 “grease gun,” though there were four available. See photo inset above. Note how well-defined the weapon is on the Imex figure (second from left; click on the photo to enlarge). The proportions, detail, and sculpting on the Imex figures are dead-on.

3. M1 Garand Rifle: The semi-automatic, 8-round .30 caliber M1 Garand rifle replaced the 1903 Springfield rifle as the standard issue for U.S. troops in 1938, giving U.S. soldiers a distinct advantage over the slower German K-98 bolt-action rifle, which had become standard Wehrmacht issue in 1935. General Patton considered it “the greatest battle implement ever devised” and many soldiers preferred the M1 Garand’s greater range and stopping power over the M1 Carbine that was supposed to replace it. By the end of the war, over five million M1 Garands had been produced.

The various U.S. paratrooper sets included many figures with the M1 Garand rifle, reflecting the fact that it was the most common weapon used by U.S. Airborne troops. Thus, there were a number of choices and four of the selected 13 figures are carrying one, including one with the 10-inch M1 Bayonet attached. (See the Figure and Weapons Chart above.) 

4. M1 Carbine w/ Wooden Stock: The semi-automatic, 30-round, .30 caliber M1 Carbine, which replaced the M1 Garand as the standard issue rifle in 1942, was intended to be smaller and lighter than the M1 Garand. At 35.5 in. and 5.5 lbs, it was, in fact, eight inches shorter and weighed four pounds less than the M1 Garand, making it well suited for paratroopers. With more than six million wood-stocked M1 Carbines produced, it was much more widely used by U.S. forces than its cousin, the folding stock M1A1 Carbine, of which only 150,000 were made. However, designed specifically for U.S. paratroopers, the M1A1 Carbine was more common among this group.

As with the M1 Garand rifle, the various U.S. Airborne sets offered a fair selection of figures equipped with the M1 Carbine. As noted, however, the folding stock M1A1 Carbine was more widely used by U.S. paratroopers so I selected only one figure carrying the M1 Carbine, the Revell figure (sixth from left), as can be seen on the Figure and Weapons Chart above.

5. M1A1 Carbine w/ Folding Stock: Identical to the M1 Carbine except for the folding metal stock, the M1A1 Carbine was 25 inches long when folded, fully 10 inches shorter than the M1 Carbine, making it an excellent weapon for the highly mobile paratroopers.

Given that the M1A1 Carbine was specifically designed for U.S. paratroopers, it is no surprise that at least 10 figures in the various U.S. paratrooper sets are equipped with it. The ESCI set alone includes five figures wielding this weapon. There are three figures with the M1A1 Carbine in the selected 13 — the ESCI (fourth from left) and Caesar (ninth from left) figures shown on the Figure and Weapons Chart above plus the Italeri figure (far right) with the M9 Bazooka, who carries the M1A1 Carbine on his back. 

6. M1A1 Thompson Submachine Gun: One of the most recognized weapons in history, the M1A1 Thompson submachine gun was a favorite among the troops. Though generally only issued to squad leaders and officers in the regular army, it was widely used among paratroopers. Accurate up to 50 yards, it could fire its large .45 caliber rounds at a rate of 650 per minute, giving it devastating “sweeping” power within that distance. Though heavier than the M3 “grease gun,” the M1 Thompson submachine gun was more widely used.

The various figure sets provided a fair selection of figures wielding the M1A1 Thompson submachine guns, reflecting its wide use among paratroopers.  As shown in the Figure and Weapons Chart above, I selected three — the ESCI figure (third from left), the kneeling Caesar figure (fifth from left), and the TQD Pathfinder figure, a picture of which appears in the previous post.

7. M1918A2 Browning Automatic Rifle (BAR): The fully automatic .30 caliber M1918A2 BAR, which replaced the M1918 used in WWI, was designed to be fired from the hip as an automatic rifle while moving forward in support of riflemen or from a stationary position as a light machine gun.

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Left, Imex; right, Revell.

However, its paltry 20-round magazines greatly limited its effectiveness as a machine gun. While used by U.S. paratroopers, the BAR’s 20-lb weight and need to be reassembled after a jump made it an inconvenient — and therefore uncommon — weapon for Airborne troops. To reduce the BAR’s weight, experienced paratroopers often ditched the bipod, buttplate, and carrying handle, lowering the weight to 15 lbs.

There are only two BAR gunners in the 69 paratrooper poses available — one in the Imex set and one in the Revell set, as seen in the photo inset above. Thus, the Revell figure (on the right) was an easy choice since the Imex figure is prone firing the weapon, clearly in combat. The Revell gunner, who has not removed the bipod or carrying handle from his BAR, is presumably a novice. 🙂 

8. M9 Bazooka: The M9 Bazooka was a portable recoil-less, anti-tank rocket launcher that replaced the earlier M1 Bazooka in 1943. At 54 inches, the M1 Bazooka was unwieldy during jumps so the Airborne command specifically requested the M9 Bazooka, which could be broken down into two parts to make it more portable. By happy coincidence, the modification allowed engineers to make it longer, increasing range and accuracy.

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From left to right: Caesar, Imex, and Italeri.

Considered the perfect infantryman’s anti-tank weapon, it could immobilize a tank with a solid, accurate hit. According to the conventional wisdom, the much-feared German 88mm Panzershreck was copied from a captured American bazooka.

The M9 Bazooka was common with U.S. Airborne troops so the set would have been incomplete without a figure carrying one. There were three potential figures with a bazooka, as can be seen in the photo inset above. However, two of them are actually firing the weapon so the Italeri figure was the only non-combat choice. 

A passing glance at the Figure and Weapons Chart above quickly reveals that the Italeri figure (far right) is somewhat bulkier than the other 12, which gave me pause. In the end, I used it anyway. First, I rationalized that human height and girth varies significantly. It turned out that the figure is 26.4mm tall, which scales out to only 6’2”, totally within the acceptable range. He is crouching a bit, which means he’s actually taller. Secondly, the figure — huge as it is — represents the gentle but slow-witted giant often seen in Hollywood movies, including the one in the aforementioned Dirty Dozen. (To my mind, the all-time greatest Hollywood brute is Andre the Giant as the unforgettable Fezzik in The Princess Bride.) And finally, it makes sense that the biggest man in the unit would carry the M9 Bazooka, the heaviest weapon in the paratrooper arsenal, weighing 16 lbs — one pound more than the stripped down 15-lb BAR. 

Browning M1919A4 Light Machine Gun

I intentionally did not include the Browning M1919A4 light machine gun in the Weapons Plate or in the discussion, as there were no figures carrying it in non-combat. However, four of the six sets include such a weapon and, for the sake of completeness, I’ve included a lagniappe photo of those four below. Referring strictly to the weapon and not the paratrooper, the ESCI machine gun (far left) has the most detail and best proportions, with the Revell and Italeri weapons closely behind. The Caesar machine gun (far right) is underscaled and has very little detail, though the paratrooper figure itself is excellent.

BMG 004
From left to right: ESCI, Revell, Italeri, and Caesar.

This concludes our lightning-fast survey of U.S. Army Airborne small arms. I hope you found the post informative. Stay tuned tomorrow for Part 4: The Finished Figures, with lots of photos of the painted figures. As always, comments, questions, corrections, and observations are welcome.

The Filthy Thirteen of the 101st Airborne Division, Part 2: Creating the Unit in 1/72 Scale

This is a follow-up to the previous post, The Filthy Thirteen, Part 1. For a synopsis of these colorful characters, please refer to that post.

It is highly unlikely that any major plastic soldier manufacturer would create a 1/72 scale set of the Filthy Thirteen, as the set would lack wide enough appeal to make it financially viable. While compulsive collectors like me would welcome such figures, the wargamers who currently drive the market would probably not find sufficient uses for them to warrant their purchase. With their distinctive Mohawk haircuts, the only other possible use for such paratrooper figures would be as Pathfinders during the Normandy invasion. Thus, the subject is one more appropriate for the resin or white metal cottage industries.

U.S. Paratroopers in 1/72 Scale

So where are we to find our Filthy Thirteen in 1/72 scale? The group can be created with just a little work. As always, our point of departure is the Plastic Soldier Review (PSR) website to determine the universe of figures available. Six major plastic soldier manufacturers have produced WWII U.S. paratroopers in 1/72 scale, with various levels of success. In chronological order of release they are:

  1. Airfix 1751 U.S. Paratroops (1975) (14 poses);
  2. ESCI 209 U.S. Paratroopers “Screaming Eagles” (1983) (14 poses);
  3. Revell 2517 US Paratroopers (1995) (12 poses);
  4. Imex 527 Easy Company (2007) (14 poses);
  5. Italeri 6131 Anti Tank Teams (2009) (4 poses); and
  6. Caesar H076 US Paratroopers (2012) (11 poses). 

Of course, some of these have been re-released by other companies. Please visit the PSR website for an excellent analysis and photos of each of these six sets.

We are fortunate that five of the six sets are excellent, with high PSR ratings in both historical accuracy and sculpting — the two characteristics most important to me. The mediocre 41-year-old Airfix set is the Original 2only exception, lacking sharpness in detail, though still not a bad effort. The ESCI, Revell, and Caesar sets each include one Pathfinder pose, fortunately with 5, 4, and 3 samples in each set, respectively. See photo inset at left. Thus, we have a total of 12 figures: three different ready-made figures and nine extra copies of those figures. To create 12 different figures with Mohawk haircuts, we take the heads of the nine extra copies and transplant them on the torsos of U.S. Airborne figures from the different sets. 

Selecting the Bodies: The Lucky Twelve

The inspiration for this effort was Joel Iskowitz’ painting (see The Filthy Thirteen: Part 1), which depicts most of the Filthy Thirteen without their helmets preparing to board a C-47 Skytrain. Naturally, paratroopers always wore their helmets on their heads in combat, regardless of how sporting their haircuts were. Thus, if our boys were to be shown bareheaded, we needed to use paratroopers not in action. Secondly, paratroopers used a number of different weapons, some of which were specially suited to their jumps. I wanted the set to reflect that variety. I therefore had but two simple criteria for selecting donor bodies: 1) they should not be overtly in action, e.g., aiming their weapons, and 2) they should represent as many of the weapons used by U.S. Airborne troops as possible.

These two parameters greatly limited selection but after careful consideration I judged the twelve figures below — out of a combined total of 69 poses from all six sets — to be least in combat and to represent most of the weapons used by U.S. paratroopers:FT DonorsEvery unit needs an officer with a pistol and the Revell figure on the far left best fit the bill, though he’s more animated than I would have preferred. Similarly, every unit has a gentle giant — at least according to Hollywood — and the slightly oversized Italeri figure on the far right met that need. In retrospect, I regret not using at least one Airfix figure so that every figure set was represented. As an aside, one of the Airfix figures is “the spitting image of John Wayne,” according to a 1975 issue of Airfix Magazine — something of a redeeming quality of the Airfix set, at least for me. As a further aside, I’m partial to the Imex set, which, to my eye, looks the most natural and best sculpted. Unfortunately for this project, all its figures are clearly engaged in combat except the two I used. 

Transplanting the Heads

Head transplants are fairly straightforward:

  1. Lop off the helmeted head;
  2. Drill a hole on the neck of the torso;
  3. Drill a hole on the base of the donor head;
  4. Superglue a tiny metal pin in the torso hole; and
  5. Superglue the donor head in place.

Presto! You’ve got brand new figures. For an excellent, detailed how-to discussion of head-switch conversions, see this Figure Conversion article on the oneseventytwoscale.com website.

The photo below shows the selected figures before and after the head transplant.FT Donors w New Heads 2

Of course, I cleaned up the seams and, where necessary, I removed excess plastic from the figures, particularly where the piece was 045blind to the mold, which is common between the midsection of the figure and a weapon when held with both hands. See the excess plastic marked in red in the ESCI figure at left. Though Caesar’s modern multi-mold process allows its sculptors to be adventurous, crafting poses that are more three-dimensional, the downside is that their figures often have excess plastic in these blind spots.

The Thirteenth Samurai

The title is a thinly veiled reference to Eiichi Kudo’s 1963 film The Thirteen Assassins — one of the best Samurai movies not directed by Akira Kurosawa. (The 2010 remake of this classic is also pretty darn good.) Incidentally, any reader who has not seen Ran, Kurosawa’s 1985 masterpiece, is missing out on the best war movie ever made — bar none — in my not unbiased opinion.

TQD Pathfinder
TQD-AA5 1944-45 US Airborne

But forgive the digression. As I mentioned, the plastic figure sets yielded a total of 12 Mohawk heads but I still needed one more to complete my devil’s dozen. I decided to use the Pathfinder figure from the TQD-AA5 1944-45 US Airborne white metal set — to my knowledge the only other 1/72 scale Pathfinder figure in production. The photo above is from the TQD website. TQD figures are somewhat more pricey compared to plastic but are generally superb, and this set is no exception: realistic proportions, fine detail, historical accuracy, and metal content, which, unlike plastic, takes paint well.

There they are: 13 U.S. Airborne 1/72 scale figures to represent the Filthy Thirteen. I hope you enjoyed the post. Stay tuned tomorrow for Part 3: Selecting the Weapons, covering the most common weapons used by U.S. paratroopers. As always, comments, questions, corrections, and observations are welcome.