The A6M Zero in 1/72: Akagi’s Zeros Prepare for Pearl Harbor – Finished Diorama

At long last, below are photos of the finished diorama depicting the Zeros of the Imperial Japanese Navy’s Akagi aircraft carrier preparing to take off as part of the first wave attack on Pearl Harbor on December 7, 1941. I finished this project back in June 2017 but, as often happens, life got in the way of the hobby and I never posted the finished piece.

Below is a photo of my first attempt at this diorama from 2017, taken by the side of the pool.

For a variety of reasons, I was not satisfied with it:

  • The diorama was too small to take good photos;
  • The Zeros came from different die-cast companies and looked odd as the shades were slightly different and the Akagi’s red recognition bands at the rear of the fuselage were different widths;
  • The tail numbers on three of the Zeros were not decaled and looked shoddy;
  • One Kate — even if that Kate was Fuchida’s famous AI-301 — seemed insufficient for the occasion since there were 27 Kates but only nine Zeros on the Akagi’s deck that day;
  • The flags were significantly underscaled and I had inadvertently switched the ones on the inside for the ones on the outside;
  • The island, which was scratchbuilt, lacked some details, including voice tubes, proper staircases, and, notably, the rolled futons used during the Pearl Harbor attack to guard against shrapnel from the expected counterattack that never came;
  • The 4.5 meter rangefinder on the deck just fore of the island was missing, as were the two antennas fore and aft of the rangefinder;
  • The deck needed more figures to simulate the beehive of activity seen in actual photos; and
  • The diorama needed a more appropriate backdrop.

So I kept at it, as time permitted, slowly correcting all the aforementioned problems. I doubled the length of the deck, used nine identical Witty Zeros all with appropriately decaled tail numbers, included seven Kates, recreated the flags at the right scale and placed them on the proper side, added more details to the island, included the range finder just fore of the island, painted more figures (for a total of 85), and added a backdrop that showed the horizon at sea.

I finally finished the improved diorama this week, just in time to post these photos today, on the anniversary of the attack. Nonetheless, I will continue to detail how I constructed each piece of the diorama in future posts. 

Starboard Shots

View from the Front

Portside Shots

View from the Rear

Overhead Views

Detail Shots

Lagniappe 360 Degree Video of Island

Below is a 360 degree video of the Akagi island without the futons used at Pearl Harbor to protect from shrapnel from the expected American counterattack that never materialized. 

Thank you for your indulgence and I hope you enjoyed the photos and video. As always, comments, questions, corrections, and observations are welcome. 


Once again I want to thank my friend and fellow collector Joe Buccellato, of NY, who painted all the best figures in this diorama. I also want to thank Tim Lau, of Maryland, who created the decals for the Zeros and gave me solid advice when I was stuck, and Chris Pflueger, of California, who gave me some great tips on photographing the diorama. I also want to acknowledge Sidnei Maneta, of Brazil, who took the time to provide great information on the Kate tail numbers, which will be covered in a future post. I’d also like to thank Sasa Drobac of Serbia, who designed the incredibly detailed 3D printed binoculars, searchlights, and rangefinders used on the island. Finally, I want to thank Ara Hagopian, of Massachusetts, whose constant encouragement provided the push I needed to actually turn my ideas into these 1/72 scale scenes.

  1. Que puedo decir, el tema es fantástico para mí pero esto es el no va más, la foto desde proa parece más real la maqueta que la realidad, solo el cielo se adivina menos real, no tengo palabras, solo admiración.

    • Hola Ed,

      Muchisimas gracias por el comentario. El telon de foro me traiciono. La verdad es que he considerado rehacer la maqueta con una cubierta completa, con los 27 Kates, y con un telon de foro mejor. Quizas cuando me jubile.

      Saludos cordiales,
      chules

  2. chules,

    I had intended to spend just a few minutes browsing your website and found myself still reading well past my bedtime last night an hour later. I then spent another 30 minutes on it before coffee this morning. I couldn’t resist. The Akagi blog alone is a work of art in and of itself! Your mention of attempting perfection and perfection being an obstacle . . . you’ve got it just right in my humble opinion. Your blend of modeling and history are downright refreshing. I myself am neither a modeler nor a historian — but I am definitely an “avid enthusiast” of both. My hands are not steady enough and my eyesight is poor at best with regard to the modeling, and my time spent on WWII history is limited to YouTube documentaries at dinner time. Fortunately, there are many available today. 🙂 Speaking of education — have you ever considered pursuing the teaching end of things? Based on your writing style and methods, I am betting that you are either engaged in teaching in some form today or should be — and YES I do mean that to be a compliment.

    Thanks again,

    Mike

  3. I am not an enthusiast by any means, but I truly appreciate the craft and attention to detail that went into creating this diorama. It is a real testament to your knowledge of the era and serves as a great example of what a well thought out diorama should be. Congratulations on completing it and thanks for sharing your work.

  4. Chules, I am very impressed! All your planning and work has paid off. 85 figures, all those planes, and that deck and superstructure. So much work! And the scope of that backdrop, I can’t imagine how you handled the water and sky without digital drop-ins.

    The tail coding and re-decaling was brilliant. No one has your range of diecast Zeros now. You have loads of detailed tutorials in your blog that makes your work clear. This is not a task for the casual or semi-casual collector. You’ve moved your pieces forward.

    The superstructure is something else. Who builds a carrier superstructure from scratch? You did! Animating everything are those figures, each one with a purpose. Splendid execution.

    You stuck with your dream and you made it happen. I’m going right back to study your photos again. Each scene reveals new life as I scroll down. When you got the camera low, it really opened up the scene for me and got me time travelling. Well done my friend! We’ll talk about this more. I’m not finished with my superlatives for your Akagi scene.

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